A Man Defined by War Essay Example for Free

A Man Defined by War EssaySimilar to many causalitys during the early part of the 20th century, Ernest Hemingway uses his first hand sustain to write meticulous novels conveying his struggles. Hemingways efforts are recorded using new techniques not yet seen in front. Hemingway, the author of the celebrated A Farwell To Arms, incorporates meaningful diction, imagery, and syntax in Book 1 to convey his detached touch sensation towards the Great War.Book 1 of A Farewell To Arms sets the reasonwork for one of the more or less powerful novels of all time. Lieutenant Frederick Henry, an American ambulance driver for the Italian army, seems stoic nigh his situation. Henry meets a British nurse, Catherine Barkley. After an evening with Catherine, he says to himself, I had treated seeing Catherine very lightly, I had gotten somewhat sot and had nearly forgotten to come but when I could not see her there I was jot lonely and hollow. (41).This is the first time Henry fully recog nizes that he loves Catherine. His body drained of guilt, Henry utter, when I could not see her.I was feeling hollow. A lover without a clue, Henry lays his problems, the war, his love life, and his friends on the table. bit away from Catherine, he feels he goes through the motions needed to live but can not truly be attached to the founding. Catherine completes him. Just after the priest discusses God, Henry walks through Abruzzi. He thinks to himself,lovely was the adjudicate to go hunting through the chestnut woods. The birds were all good because they fed on grapes and you never took a lunch because the peasants were always honored if you would eat with them at their houses.(73).Henrys thoughts are obviously disconnected from his main problems. cerebrate the birds, Henry detaches himself from the rest of the war. Hemingways personal issues regarding the war are exemplified in Henrys speech.Vibrant, vivid imagery became one of Hemingways pet structural devices. In the early stages of the tale, Henry, still getting accustomed to his surroundings, finds time to observe the less definitive items of his experience. While viewing the scenery around him, Henry observes, snow slanted across the wind, the bare ground was covered, the stumps of trees projected, there was snow on the guns and there was paths in the snow going back to the latrines behind intrenches. (6). His instauration completely changed, Henry resorts to crafting detached images for himself from his surroundings. Snow generates a sense of permanence, just as the war itself has produced. With the similar disinterest as he has in the war, Henry continues to show a lack of concern on his job and sometimes with his friends. Hemingway wants the reader to reconsider their opinion of the Great War and contemplate the lesser things in the world such as nature.While driving an ambulance to Pavla, Henrys car is demolished by a trench mortar. A general without his authority, Henry struggled through t his tragedy using his unbelievable willpower and audacity. Just before the attack, Henry, ate the end of my piece of cheese and took a swallow of winethen there was a flash, as when a blast-furnace door is swung open, and a roar that started white and went red and on and on in a hurry wind. (54). The mortar blast that attacks Henrys ambulance furthers his dismal attitude towards the war. Hemingway knows that innocent men such as Henry defy been injured and killed throughout this war and he knows this is not fair. Above all, he further detaches Henry from the world and the war for the readers own thoughts to form about the evilness of guiltless casualties.Syntactical devices are one of literatures most important and practical modes to get a point across in an exciting and interesting manner. Authors practice such tools to get deeper meanings across to the reader. A variety of syntax Hemingway utilizes is known as subject. Additionally, while he is illustrating one of those most im pressing scenes of Book 1, Henry must deal with other feelings and sights. Henry observes, The dead were mangle to one side. The doctors were working with their sleeves up to their shoulders and were red as butchers. There were not enough stretchers. Some of the hurt were noisy but most were quiet (56-57).To cope with his negative opinions towards the war, Henry draws up his inner dexterity to battle them. With the same resolve that drove him to the war, Henry eliminates feelings of sorrow and shows a lack of interest on the front. Another syntactical device utilizes repeat. To prepare the reader for the upcoming idea, Hemingway creates a brilliant structural masterpiece. During a mess hall scene in Book 1, Henry narrates, Yes, father. That is true, father. Perhaps, father. No, father. Well, maybe yes, father. You know more about it than I do father. (38). By repeating the same father over and over again, Hemmingway initiates a serious, unglamorous tone to this excerpt.The repet ition alone is a cautious statement bending the limits of literature itself. Dr. Robert Lamb believes repetition is key to creating great literature, but the author must know how to apply it. He states, the most noteworthy aspect of the passage is Hemingwaysemployment of repetition. The repetition of key words like want and perfectlyare used to keep the dialogues relevant. (Hemingway and the Creation17). Hemingway effectively displays repetition demonstrating Henrys disinterest and coitus interruptus from the war and all of its horrors. The everlasting war establishes Henrys dismal tone as he struggles to survive the war. Out of Henrys struggles emerged his strengths.In conclusion, Ernest Hemingways innovative techniques in the fields of diction, imagery, and syntax generate the protagonists detachment from World War I in Book 1. Deriving from his disinterest comes his affection for a tender British nurse. Hemingways own conflicts in World War I blend with his views from that wa r and congregate in this masterpiece.